Holding On

The phone rang, and I reached for the bedside table to grab it.

It was 4 in the morning, and I was still half-asleep. But I recognized the phone number immediately. It was my work line.

Normally, such an occurrence would lead one to seek professional help. It would be unusual to field a call from work at such an early hour — let alone one from your own desk.

But I was working as a TV news producer in West Texas at the time, and the word normal didn’t really apply to anything. So, I picked up the phone.

On the other end of the line was the morning producer at my station. She cut straight to the chase.

So, there was a murder at your apartment complex. Can you scope out the scene and send us some photos to use on the air?

I felt a lump in my throat, and the hairs on my arms stood on edge. But I immediately agreed.

I put on some jeans, shoes and a jacket. And I headed outside.

It was a December night. The air was frigid, with temperatures hovering in the mid-20s. And all around me, it was quiet and still.

I had never covered a murder before. But I knew a what to look for.

I grew up not far from a rough neighborhood, and occasionally trouble would arrive at our street. I wouldn’t run and hide when this happened. Instead, I would watch intently, entranced by the flashing police lights.

So, as I made my way around my apartment complex, I looked for those flashing lights. Lights would lead to action, and action would allow me to take the pictures our morning producer needed.

And yet, I found no lights. No pools of blood. No silhouettes of police investigators.

Everything was deathly silent and still.

I was perplexed. Where did this crime happen? Did I miss something?

I was close to giving up when I heard a subdued hum cutting through the silence. Walking toward the sound, I found several squad cars and a forensics van, all with their lights off and their engines on.

Inside a nearby apartment was the crime scene — a mere 300 feet from where I had been sleeping moments earlier. I took pictures on my smartphone until my hands froze. Then, I headed back to the safety of my apartment.


 

There are few true essentials in life. But food, clothing and shelter certainly make the shortlist.

And when choosing a place for that shelter — a place to call home — there are certain criteria that must be met. Space, amenities and safety are chief among them.

I thought my apartment had met the requisite marks when I decided to sign my lease. But now, someone lay murdered a football field away from my bed, and I was questioning my choices.

Worse, I was worrying about what others would think. There were only 10 murders a year in town, and each would make the news. Now, my pictures of the police cars and forensic van would be airing on my station’s morning show, adding to that sad legacy.

Would people look at me differently, now that this had happened so close to my home? Was I safe? Would I need to get a gun?

I had no idea.


When I made it in to work that afternoon, my colleagues were talking about the murder.

Isn’t that where you live? they asked. I could only nod.

We ran the story on the news, using fresh video footage of the complex our cameraman had shot that afternoon. It was uncomfortable and strange.

Then, it was over.

In the days that followed, the news turned to other matters. A snowstorm was headed our way. Christmas was right around the corner. Both of those topics seemed more relevant than following the cold trail of an apartment murder.

And so, the news world moved on. But I didn’t. I couldn’t.

Those same questions were nagging at me. The answers were as elusive as ever.

And so, I took a stand.

Using my TV news skills, I tracked down the incident reports. To my surprise, those reports didn’t come from the police or the county sheriff’s office. They came from the United States Marshals.

It turns out that the murder was part of a botched drug robbery. A few young men had tried to take the stash of one of my neighbors. When the neighbor confronted them, the men shot him dead in his own doorway.

It was a terrible story, and one that unfolded as the victim’s children were sleeping in an adjoining bedroom. And the Marshals were only involved because the suspects had ties to drug rings in multiple states.

Nevertheless, I thought the information was compelling. So, I pitched it to the newsroom in our afternoon meeting.

My boss — the station’s news director — replied with a pointed question. Are you only pitching this update because the murder happened at your apartment complex?

I replied that I wasn’t, instead emphasizing the presence of the U.S. Marshals on the case. How often was it that the feds picked up a local apartment murder, I asked?

Well, alright, my boss replied. We can feature a short update. But let’s not forget about the other stories we’re covering today.

Our news operation was looking to move on once again.


Years have passed since all this happened. And with the benefit of hindsight, I understand my boss’ decision.

News moves a mile a minute. It’s the ultimate What have you done for me lately industry.

With so much action to chase, it made no sense to dwell on old stories. Unless, of course, there was a compelling case for doing so.

And yet, dwelling on the details is exactly what we need.

For the news we’re served is sensational. It alarms us and disturbs us.

Journalists hunt for these types of stories, time and time again. Despite our complaints about them, they’re all we respond to.

Many news operations have tried the good news only approach. It hasn’t worked. Sensationalism still rules the day in the end.

And yet, journalists fail to provide us any sort of closure for their sensationalist reports. They punt on providing any healing for the wounds they’ve opened.

Such closure would violate journalistic ethics. And there are too many other novel stories for journalists to chase down anyway.

And so, it’s up to us to connect the dots. To research what ultimately happened with each story, and what we can take from it.

Such a process might make little difference in certain cases — such as a drug robbery murder. But in others it can mean everything.


Few events in living memory have jolted the world like the recent pandemic.

As the virus spread across the globe, concerned citizens had little recourse. There was nowhere to hide from the virus’ advance, and no bona fide treatment for it once infected.

It was a perilous moment, but journalists rose to meet it.

For months, news organizations covered the pandemic from three angles — the situation on the ground in the healthcare realm, the effect on the economy, and tips for avoiding infection.

These angles provided a healthy balance. One that was sorely needed in a world filled with unknowns.

But soon, journalists moved on to other matters. The movement for social justice was sweeping across America. Wildfires and hurricanes were threatening the coasts. And a presidential election loomed.

Attention turned away from the pandemic, even as it remained a devastating event.

In the shadow of news coverage, many did the best they could to hold on to the story. They tracked caseload dashboards. They looked for statements from public health officials. And they tried to make day-to-day decisions based on all of this information.

But others demurred. To them, the lack of coverage seemed to indicate that the nightmare was over. They let their guard down, even as the pandemic continued to rage.

The peril only deepened.


I wonder if this all could have been avoided.

I wonder what would have happened if news organizations had stopped chasing shiny objects. I wonder what the future would look like if journalists had clung like zebra mussels to this story, and helped the world across the finish line.

We’ll never know, of course. But that doesn’t make the question an empty one.

For the information we’re exposed to can have devastating effects. Learning that our neighbor was murdered can make it harder for us to sleep at night. Seeing so many people felled by disease and recession can fill our days with angst and dread.

We should not have to navigate these choppy seas alone. We deserve assistance.

And so, it’s time for the information providers to change their tune.

It’s time to end the practice of hitting us with headlines. It’s time to dig deeper. It’s time to follow the stories worthy of our attention, all the way to the finish line.

Then, and only then, can we be whole. Then, and only then, can the news lead to positive change in our lives.

So, yes. Holding on is trying. But it’s a challenge worth accepting.

Into the Abyss

Fortune favors the bold.

I believe these four words because I have lived them, time and again. But nothing was quite as bold — or as trying — as my move away from the news industry and into a future of unknowns.

Some have asked what led me to abruptly walk away from a career I’d devoted so much to, but quick explanations can only go so far.

This article delves deeper.

November 15, 2012

It was a normal Thursday in the newsroom at KMID Big 2 News, the ABC affiliate in Midland, Texas. Eight days had already passed since President Barack Obama had won re-election, and the shine of pulling off flawless election coverage had finally worn off. Thanksgiving was a week away and a busy ratings period was winding down.

As I got to work putting together the 5 PM newscast, I felt as if the finish line was in sight. As KMID’s Executive Producer, I had devoted a lot of time and effort into making sure election coverage went to plan — an important initiative, as previous years’ election newscasts had been doomed by technical glitches and other blunders. I’d also followed that triumph with a trip to Oklahoma for a college football game, so I had little left in the tank on this particular Thursday. However, I happened to be working a half-shift, so some long-needed R & R was finally in sight.

Or so I thought.

It was about 4:40 PM — 20 minutes from the start of the 5 PM newscast. I was doing my final check of news scripts when the police scanner went off.

All units be advised. Accident with train. Garfield and Front.

There was no time to think. I instinctually went into breaking news mode.

I sent a cameraman to the scene and called Midland Police to get more information. I quickly learned that a Union Pacific train had collided with a parade float carrying military veterans and their spouses.

It was a truly horrific incident, but this was no time to reflect. There was much more to be done, and precious little time to do it all.

I immediately broke the story on the station’s website and Facebook page, rearranged my newscast and wrote new scripts to account for the new lead story. Then I let everyone — production staff, reporters and news anchors — know what was changed, and what I needed them to do. I did all of this in less than twenty minutes, and the ensuing newscast went off without a hitch.

When I got back to the newsroom, my office phone was ringing. It was ABC News in New York — producers with the national program were calling to ask me for information.

That when it hit me: I’d hit what some producers might call “The Jackpot.” I’d nailed a breaking news event that went national.

It was the greatest achievement of my career.

But I don’t recall a feeling of exuberance during this defining moment. Instead, I recall a feeling of pain.

These painful memories remain vivid.  I remember a reporter calling me from the accident scene and crying uncontrollably, overwhelmed by the pressure and gravity of the situation. I recall the ruthless race by our crews to get more information and interviews, even though the victims understandably wanted no part of a TV camera in their face. And most of all, I remember the pit I felt — and still feel — in my stomach, knowing veterans who had been wounded in duty in Iraq and Afghanistan lost their lives in a parade held in their honor.

These images and sentiments stuck with me when I finally drove home around midnight, at the end of what turned out to be a full 9-hour shift. As I lay in bed, I remember asking myself for the first time if the career I’d chosen was the right one.

At my career apex, I’d never felt more low.

November 16, 2012

A breaking news story is like an earthquake. After the initial devastation is over, there are waves of aftershocks.

In the case of the 2012 Midland train wreck, those aftershocks came courtesy of the National Transportation Safety Board.

Now, anyone who’s seen the movie Sully knows that the NTSB arrives quickly after a disaster but investigates slowly and deliberately. As investigators set up camp in Midland and began a series of daily briefings, our station worked diligently to keep up with the latest developments. Suddenly, I found myself working 7 of the ensuing 8 days. There was no weekend for me, no Thanksgiving. My job beckoned, early and often.

By the time Black Friday was over, most of these new developments had mercifully dried up — but so had my energy. As I went into my first extended period of free time in two weeks, I was so tired that I couldn’t do much more than curl up in the fetal position and sleep.

The next day, I did something I would have considered inconceivable just weeks earlier — I started applying to jobs outside of TV news.

December 14, 2012

It was a Friday morning that started the same as any other. I woke up and checked my phone for what I missed overnight. Such is the life of a producer.

As I scrolled through my Facebook feed, something caught my eye. It was a friend’s status that read: “What the hell is wrong with people?”

Knowing something was up, I powered up my laptop and checked the ABC News website. That’s when I learned that a gunman had shot up an elementary school in Sandy Hook, Connecticut — killing several first graders and their teachers.

The pit in my stomach returned. Then I went numb.

After staring into space for who knows how long, it hit me.

I’m going to be cover this horrifying story at work later.

My heart sank.

That day turned out to be the most difficult one of my working life. Even though the incident happened 2,000 miles away from West Texas, spending a full day keeping up with developments in a real-life nightmare was pure torture. There was no silver lining; by reporting on the sickening events of Sandy Hook, we left our viewers as upset as we all were. Yet it was our duty as media members to report the story, even if no one really stood to benefit from it.

It was the ultimate no win scenario, one that seemed to play out in slow motion.

When the day mercifully came to an end, I went home, collapsed on the couch and cried.

At that moment, I knew there was no future for me in news.

March 6, 2013

It was a Tuesday that was anything but ordinary.

When I arrived at the station, I walked into my boss’ office, closed the door and handed him a signed letter — the only letter of resignation I’ve ever drafted.

I told my boss when my last day of work would be and we shook hands.

As I walked through the newsroom, the evening anchor turned to me, a look of sadness on her face.

“Dylan, did you just…?”

I nodded and continued on to my desk. I didn’t want to be a distraction.

Truth be told, I’d known this day was coming for a few months. I just didn’t know when.

After taking some time to enjoy the holidays, I had begun my job search in earnest in the first moments of 2013. I zoned in corporate communications and Public Relations jobs in Dallas — knowing there were plenty of opportunities there — and I applied to as many job openings as I could find each morning before heading to work.

I had it all planned out. I’d get a job offer, put in my two weeks, move to Dallas and get started in my new profession. It was all so simple.

There was only one problem. I didn’t get a single job offer.

With 20-20 hindsight, this makes sense; no hiring manager worth their salt was going to give an unproven commodity living 300 miles away the keys to the castle. But in early 2013, it felt as if the walls were closing in with each failed job application.

Soon enough, the hourglass did run out of sand. As my KMID contract and apartment lease neared expiration, I knew I wasn’t about to renew either. So on the first Tuesday in March, I formally announced my intentions.

Job or no job, I was heading east.

March 30, 2013

There’s no day quite like moving day.

As the morning dew glistened off my car windshield, my father and I loaded my personal possessions into a U-Haul van. I dropped off my apartment keys at the leasing office and we headed for the highway — my father in the moving van, me in my car.

About 5 hours later, we unloaded the contents of the truck at their new home — a storage unit outside of Fort Worth. I then checked into an extended stay hotel, and my father flew back to his home in the Northeast.

I was on my own, facing an uncertain future.

“This too will pass,” I told myself. “A couple of weeks from now, I’ll have a 9 to 5 job and my own apartment.”

Not so much.

July 1, 2013

I turned the key in the lock, opened the door and set foot in my apartment for the first time.

After months of struggles, I’d finally made it.

You see, the two weeks I’d figured I’d need to land a job had turned into three months, as company after company turned me down. But after applying to more than 600 jobs, depleting my savings account and nearly maxing out my credit card to cover basic living expenses, I finally got a job offer. And now I had a place to call home.

I set up a chair in the living room, sat down and thought of the journey I’d been on, along with the new adventures that lay ahead.

It was sobering and exhilarating at the same time.

November 16, 2016

As I look back at all of these moments, one thing is clear.

I made the right decision leaving the TV news industry.

Sure, the road I took was highly unconventional and full of struggles that could test anyone’s will. But it was a road that needed to be taken.

You see, TV news was my passion early in my adult life. It was my career, my future, my dream. But the stress and angst I felt on the job in those fateful last months of 2012 served as a powerful warning. Maybe news wasn’t right for me, or I wasn’t right for it.

The decision to switch careers saved my life, or at least prolonged it. I now have a greater sense of purpose in my life, along with a renewed sense of balance. And I’m forever free of the monumental stress associated with producing TV newscasts — stress that I estimate would have shortened my lifespan by three years if I hadn’t left the newsroom behind when I did.

Much has changed in the past few years since I made this decision. I’ve matured. I’ve become more self-accountable. I’ve made massive inroads in a new career. And, most of all, I’ve gained a world of perspective.

But even with all of these changes, I think back constantly to the decisions I made to get me to where I am now. I understand that they’re a key ingredient of my story, and always will be.

It’s been a wild journey, and it will continue to be one. But I wouldn’t trade one second of it.