Blank Slate

Every day is a new chance to start fresh.

That is what we’re told, from Day One. It’s what we believe.

After all, we live in a land built on liberty and opportunity. In a culture where we root for the underdog. In a society where we’re motivated by tales of redemption.

It’s invigorating knowing that we can write our own story. It’s revitalizing knowing that no matter how rough things might be today, there’s always the chance to start anew tomorrow.

Yes, the blank slate is central to our being. It’s how we define ourselves.

Yet, that very definition iss a myth.


 

We see it on the news all the time. Celebrities having a meltdown.

There’s that infamous clip of Tom Cruise jumping up and down on a couch during a taping of the Oprah Winfrey Show. There’s that avalanche of embarrassing Britney Spears headlines from 2007. There’s Antonio Brown — perhaps the most talented wide receiver in football — burning bridges with three National Football League teams in one year due to a series of off-field antics.

It’s a sad sight. People we recognize — people we think we know — hitting rock bottom.

Tom Cruise and Britney Spears have managed to revitalize their careers, and their images. The jury’s still out on Antonio Brown.

But in all cases, the slate isn’t exactly blank.

In the world of the 24/7 news cycle, of YouTube and of social media spotlights, those moments of infamy live on. Even if those involved have since moved beyond their lowest moments.

And this phenomenon isn’t restricted to this digitally-enabled millennium either. Politicians in the United States and Canada have recently been accused of wearing blackface in their younger years. While the evidence of these transgressions often comes in the form of grainy yearbook photos, the backlash remains fresh as the morning dew.

We can’t just wipe the slate clean. We can’t treat the past as it if didn’t happen. We can’t just start over.

For even if we don’t have paparazzi following our every move or a criminal record sullying our name, we have baggage.

The choices we’ve made have left a mark. Whether officially — such as on a credit report or resume — or unofficially.

No matter what we do to reboot, we have a history.

Time accumulates experiences. Those experiences become lodged in our memory banks, stimulating our senses and forever altering our perspective.

So long as our mind remains intact — that is, so long as we remain free of a traumatic brain injury — our judgment will be biased by what we have seen, felt and learned. Our past experiences — good and bad — will inform our future decisions, regardless of whether we’re sticking with old routines or looking to start new ones.

No matter how hard we try, the slate will never be clean.


I find the blank slate conundrum deeply personal. For I have encountered it, time and again.

I’ve moved to three new cities in my adult life. And I’ve cut my teeth in two different careers.

That’s a lot of change for anyone. But it’s particularly grueling for an introverted control enthusiast.

Why would I take myself so far out of my comfort zone? Why would I break with the routine I rely on, over and over?

Money and ambition are two reasons. I aspire for a brighter future, just as many do. And the bills don’t pay themselves.

But that’s only part of the story.

The true catalyst for the changes I’ve made has been the illusion of the blank slate. The myth of the fresh start.

At each turn, I’ve relished the chance to unleash my untapped potential. To explore new possibilities. To become a new man.

That often meant downplaying my prior history. It meant shunning my origin story. And it meant forgetting about all the left turns I took along the way.

After all, I didn’t want my past to define me. I was all about my present and my future.

It was only after years of adulthood that I realized how ridiculous this notion was.

I now recognize that the past is an indelible part of me. It’s allowed me to gain new friends, unforgettable moments and invaluable lessons at every turn. It’s what made me who I am.

These days, I can finally embrace that fact. A fact I should have understood a long time ago.

So now, as I reach an age where many second-guess the decisions of their youth, I refuse to do just that. For I can see that those decisions — and all that they unlocked — made me precisely who I am.

And I wouldn’t trade a thousand blank slates for that.


There is no moving on. There’s only moving forward.

This is the gist of Nora McInerny’s brilliant TED Talk about grief.

McInerny proves a powerful point.

After we lose someone we love, we can’t just turn the page. Our bond with that person remains a part of us, through our memories.

So, while we might yearn to start a new chapter, starting over is out of the question.

We move forward. But we don’t move on.

I believe this philosophy applies to life as a whole, as well.

For while our journeys may differ, we are all sure to face tough times now and then. We’re sure to face moments of doubt, of fear, of yearning.

In these moments, we’ll want to step away from the pain of the present. We’ll find ourselves magnetically drawn to the potential of a brighter future, and repulsed by the shackles of circumstance in our past.

We might take this leap. We just might break free from the ordinary and launch ourselves into the unknown.

But this break will not be clean. This will be a new chapter, not a whole new start.

That trusty rearview mirror will still guide us, for better or for worse. The joy, the pain, the gains and the losses will all provide direction for our next escapade — either vividly or subconsciously.

This is a beautiful thing. A powerful thing. A human thing.

So no, the blank slate does not exist. But we should be thankful for that.

For it is only through the its absence that we can truly experience what it means to be alive.

Reference Points

Shake it. Shake it. Shake it. Shake it like a Polaroid picture.

These are lyrics from an up-tempo hit song called Hey Ya — which was released by the Hip-Hop duo Outkast. If you’ve been to a party in recent years, this song was likely on the playlist.

The song was recorded in 2002. Which means it’s not all that old, but it’s not exactly hot off the presses either.

And while the tune remains distinctive, signs of its age are evident.

There are some lines that name-drop figures that remain relevant today (Beyonce), and others that don’t (Lucy Liu).

And then there’s that reference to Polaroid pictures. A reference that’s starting to wilt against the weight of time.

Why? Consider this.

There are many several high school students across America who weren’t even born when Hey Ya first hit the airwaves. Teenagers who don’t even know what a Polaroid picture is.

In a few short years, these high schoolers will be the young adults at the parties where Hey Ya is played. And they won’t understand what Outkast is talking about.

A musical masterpiece will fade into mediocrity. All because the perspective will have shifted.

And that, in no small way, is tragic.


 

Hey Ya is not the only entertainment staple to age poorly. Far from it.

Many songs feature over-the-hill cultural references. Many TV shows have dated set decorations and graphics. And many movies feature “cutting-edge” features that have become a punch line in the years after their cinematic releases.

When we encounter these works of art today, we’re ensconced by nostalgia. The memories come flooding back, and our hearts gush as we reminisce.

Yet, there’s a bittersweet side to all the warm fuzzies.

For we know that there are others who won’t ever have a chance to see the world as we once did. To truly participate in the trips down memory lane these pieces of entertainment provide us.

There’s a connection that’s missing — one that has drifted out of sight behind us. These entertainment relics and our own memories are the only bridges connecting us to them.

Sometimes that connection is more style than substance. Polaroid pictures were one a nice gimmick — glossy photos that developed in real-time — but digital photography quickly proved them obsolete.

Other times, the connection is more substantial. Payphones might seem ludicrous to anyone under the age of 25 these days, but they were once an important part of life to everyone else. In an era before everyone had a supercomputer in their pocket, payphones were critical for making plans on the go.

As time moves on and new tools emerge, these erstwhile staples of life get lost. And the cultural remnants capsize with them.

For the perspective has shifted. The new reality is all that’s relevant now.

Reference points mean everything.


Four years ago this week, I launched Words of the West with a confession. One that read I am not perfect.

That statement is as true today as it was then. But I wonder how much else from those early days is still valid.

The world has changed a lot in four years — becoming ever more complicated, divisive and cynical.

And I have grown a lot in four years — pushing my own boundaries and using my voice ever more boldly.

With all this growth and change, today’s reference points are a far cry from those of four years ago.

And while I’ve tried to make each and every one of these articles stand up to the test of time, I know that some simply cannot.

For what they refer to is dated. And their relevance has faded.

This bothers me.

I don’t want to my words to become mothballed relics. To be as irrelevant as Rand McNally atlases in the age of connected cars.

No, I want my words to remain resonant. I want my messages to help and inspire others.

That is why I’ve committed to sharing a fresh article each and every week for four straight years. And that why I plan on sharing articles for years to come.

Misplaced references represent missed opportunities for me to achieve these objectives. And while missed opportunities are inevitable in life, it doesn’t make them any more welcome.

And so, against my better judgment, I rue lost opportunities.

But should I?


There’s not a day goes by I don’t feel regret. Not because I’m in here, because you think I should. I look back on the way I was then: a young, stupid kid who committed that terrible crime. I want to talk to him. I want to try to talk some sense to him, tell him the way things are. But I can’t. That kid’s long gone, and this old man is all that’s left.

This soliloquy comes from the 1994 movie The Shawshank Redemption. And even though that movie is eight years older than the song Hey Ya, this passage stands a better chance of passing the test of time.

Why is that?

It’s not because we inherently relate to the character who uttered it — Red Redding. After all, it’s unlikely that any of us have found ourselves in a parole hearing after spending 40 years in prison for murder.

No, we relate to this passage because of its mention of shifting reference points.

Red is candid about how time alone has changed him. He steadfastly admits that the man he is after four decades behind bars is not the one he was when he committed a heinous crime. But he also acknowledges there is no real link between those two moments he can traverse.

There is no silver lining. Just the cold, hard truth.

This moment resonates with me. For I see my own plight just as clearly as Red saw his.

With each day, new opportunity dawns. But old references fade further into irrelevance.

Past words lack meaning. Faded memories lack context. And old messages become as obsolete as the payphone or the Polaroid.

There is nothing I can do to stem the tide of change. I can only keep charging ahead, knowing that tomorrow will bring the promise of a bright, new reality.

Reference points are merely guideposts reminding me of where I’ve been. Reminding me of how far I’ve come.

Perhaps, in this light, the faded references from Hey Ya won’t seem so sinister. And the obsolescence of yesterday’s lessons won’t seem so stark.

Our future is bright. But our past doesn’t need to be forgotten.

So, let us not lose our reference points. They’re more useful than we might think.